I Accuse! (1958)

One tradition I’ve upheld on this blog ever since I began is that every year, on my birthday, I dedicate a post to someone from the world of cinema who shares my birthday.

This year, therefore, a post in honour of José Ferrer, the Puerto Rican actor who was born on January 8, 1912, and became the first Hispanic actor to win an Oscar for Best Actor (for Cyrano de Bergerac).  I confess I haven’t seen too many of Mr Ferrer’s films, but Moulin Rouge (in which he played the tormented artist, Henri de Toulouse-Lautrec) impressed me immensely. As did this one, a thought-provoking tale of an unforgivable miscarriage of justice.

José Ferrer in I Accuse!

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Triple Cross (1966)

Despite everything more fashionable cinema viewers may say, I love The Sound of Music. I love the songs, I love the mushy romance, I love the children. I love Julie Andrews. I love Christopher Plummer.
Which is why it’s always bothered me that Christopher Plummer used to refer to the film as The Sound of Mucus. Why, I wondered.

Well, this might just furnish some sort of answer to that question. Plummer stars in Triple Cross as a war-era safe breaker who offers his services to the Nazis as a spy in Britain. It’s not a frightfully demanding role, but it offers a glimpse of what Plummer was capable of. And I can understand why he might have thought of his role as Georg von Trapp as a little too much of a cakewalk.

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Baiju Bawra (1952)

At home, our tastes (when it comes to cinema) are very varied. My husband likes science fiction or fantasy, kung fu, conspiracy, superheroes, and (occasionally) comedy. And very little of it pre-90’s. I watch just about anything that’s pre-70’s. So, when we were deciding which DVDs we wanted to order next from our DVD rental service, I was taken aback when my husband said, “Baiju Bawra.”
“That’s black and white,” I said, wondering if the recent bout of long and stressful work hours had taken its toll. “Early 50’s. Hindi.”
“I know,” he said. “Good music.”

And yes, good music is the outstanding feature of this film. It had to be, since it’s about the legendary 16th century singer and musician Baijnath (‘Baiju’) Bawra.

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