Ek Saal (1957)

Did the producer and director Devendra Goel specialise in film names that incorporated numbers? Have a look at this (admittedly select) filmography: Ek Saal, Ek Phool Do Maali, Ek Mahal ho Sapnon ka, Do Musafir, Dus Lakh…  Was he, perhaps, doing a countdown to what he hoped would be some blockbuster magnum opus that would put Mughal-e-Azam or Mother India firmly and permanently in the shade?
I don’t know, but this I can say: of all the Devendra Goel films I’ve seen (six), this is by far the best. It’s coherent, interesting, romantic – and it stars a wonderful lead couple: Ashok Kumar and Madhubala.

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Hold Back the Dawn (1941)

A few preliminaries before I launch into a synopsis of this little-known but lovely little film.

This is the third film of Charles Boyer’s that I’ve reviewed on this blog (the other two are Gaslight and Love Affair). As in Gaslight, in Hold Back the Dawn too Boyer plays a less-than-scrupulous man who marries not for love but for less savoury reasons—after having convinced the woman in question that he’s deeply in love with her.
Now for the coincidence. This is also the third film of Olivia de Havilland’s that I’ve reviewed on this blog (the other two are The Charge of the Light Brigade and Not as a Stranger). As in Not as a Stranger, in Hold Back the Dawn too de Havilland plays a gullible woman duped into marrying a man she’s convinced loves her—though his motives for the marriage are very mercenary.

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