It’s sad that, over the past year or so, barely a month has passed without my having to post a tribute to yet another film personality who’s passed on. Last month, with Eleanor Parker, Joan Fontaine and Peter O’Toole passing away within days of each other, I thought it couldn’t get worse. And I hoped that 2014 would be better.
But, alas. We say goodbye to yet another luminary of the film world. This time, the beautiful and very talented (not to mention wildly popular) Suchitra Sen (April 6, 1931-January 17, 2014), who made a mark in Hindi cinema even in the few films she acted in (Bombai ka Babu, Devdas, Mamta and Aandhi being the best-known), but ruled Bengali cinema.
Some of you may know that I’ve recently returned from an exhilarating time at the Bangalore Literature Festival—one of the highlights (at least for a cinema fanatic like me!) of which was that I got to meet Nasreen Munni Kabir. (And was introduced to Farhan Akhtar, and met Sidharth Bhatia, and got to get photographed within the same frame as Gulzar… but that’s a different matter). Nasreen Munni Kabir and I actually shared a cab for the two-hour trip from the airport to the hotel, and spent most of it chatting about all things cinema. I told her about this blog, of course, and happened to mention that among the most popular posts seem to be song lists.
Which reminded me: it’s time for another list. And because this popped into my head while I was travelling, I decided to do another ‘sung in transit’ list. But because I’ve already done car songs (not to mention ghoda-gaadi songs and train songs), I’m going the water way this time: with boat songs. The criteria here (besides my usual ones, of the films being all pre-70s ones that I’ve seen) are:
(a) The singer(s) should be on the boat for at least three-fourths of the song’s duration
(b) All types of boats are allowed—shikaras, rafts, motorboats, ships, anything. Moving or not.
This post came about because of my recent review of Rangeen Raatein. Another film-lover, an American, noticed that post and said that she thought it was time she began branching out into watching Hindi cinema too (she’d already seen a good bit of Satyajit Ray’s work). She thought she’d begin with Rangeen Raatein. I was quick to dissuade her, of course—even I, die-hard Shammi Kapoor fan that I am, probably couldn’t stomach a rewatch of that film.
But it made me think: if I had to introduce a newcomer to Hindi cinema (or, more specifically, pre-70s Hindi cinema, since that’s what I love most), which films would I recommend? They would have to be films that are available with English subtitles, of course.
So here it is: my list. I do not claim that these are the best Hindi films of that era; by no means. They just happen to be ten of my favourites. These are in no particular order.
My maternal grandfather used to work in the Gramophone Company of India. Mummy grew up in a house full of LPs, and a lot of those—including dozens of albums from Hindi films of the 50’s and 60’s—ended up in our house. I grew up listening to music; but for a long time, I couldn’t tell one singer from another. The first singer whose voice I learnt to identify (I must have been about 11 or 12 at the time, I think) was Hemant.
Hemant Kumar Mukherjee was born on June 16, 1920, and went on to become one of Hindi cinema’s great music directors—and a singer with a very distinctive voice, rich and deep and sonorous.
So, as a birthday anniversary tribute: my ten favourite Hemant songs. These are all from the 50’s and 60’s, from films that I’ve seen, and in no particular order. Frankly, each song is a masterpiece in itself.
I first watched Khamoshi when I was a child (and too immature to really understand it). I last watched it as a teenager, more able to appreciate the film—which left a handful of clear, sharp images burnt into my memory: Dharmendra, looking out over a balcony and singing Tum pukaar lo; Dharmendra flinging a glass of water at Waheeda Rehman and then watching, half-bemused, half-shy, as she laughingly wipes her face against the front of his shirt. Waheeda Rehman, clinging to Rajesh Khanna but thinking of Dharmendra.
So, considering that this last week saw Dharmendra’s 74th birthday (on December 8th), and having read some veryenjoyableposts by fellow bloggers: I decided it was time to re-view and review Khamoshi. It came as a bit of a surprise to realise that Dharmendra actually appears onscreen for just over 5 minutes (and that includes a song). The male lead is Rajesh Khanna. And the film belongs to Waheeda Rehman.